
⚜️ Deep frequencies, dark textures, and deliberate storytelling — that’s the Black Swan signature. A fixture in Louisiana’s underground for over two decades, she’s helped shape the region’s bass identity from its earliest dubstep nights to today’s genre-bending, emotionally charged soundscapes. ⚜️
In this exclusive interview, NOLA EDM catches up with Black Swan (@blackswanbass) to talk about sound evolution with New Orleans’ underground roots. This week, she joins Bass Education at Santos Bar alongside Joe Nice, Kidd Love, and Pretty Na$ty — a lineup steeped in sub-bass history and local legacy.
NOLA EDM: For those meeting you for the first time — who is Black Swan?
Black Swan: I started DJing in 2002 after falling in love with drum & bass. Back then, I’d drive to Atlanta just to dig through records at Satellite Records, even before I had decks. I’ve always been drawn to dark sounds — the kind that hit emotionally but still move a crowd. When I’m behind the decks, I’m in the zone; I have to remind myself to look up.
NOLA EDM: How did your journey into bass music begin?
Black Swan: The Houston “Gritsy” era in the late 2000s really hooked me. I heard Product’s mixes and the Skream remix of Mark Ashken – Roots Dyed Dark and just fell in love. That blend of heaviness and soul was everything. Before that, I was a junglist hitting Club Culture in Baton Rouge — those were the formative years.
NOLA EDM: What defines the Black Swan sound today?
Black Swan: Deep, weird, emotional, but still danceable. I like balancing experimental bass with something people can feel. I might sneak in Outkast or SZA next to grime or UKG — music that’s unpredictable but rooted in groove. I’m obsessed with clarity: warm lows, crispy snares, no muddiness.
NOLA EDM: You’ve got Bass Education with Joe Nice coming up — what makes this night special?
Black Swan: Many people might not know this, but I was the first to book Joe Nice in Louisiana for my Louisiana Dubstep party Pressure in 2011. Playing with him at Santos feels like full circle — honoring the roots while showing what the scene’s evolved into here in NOLA. It’s about lineage, respect, and community.
NOLA EDM: Speaking of community — what’s your connection to New Orleans?
Black Swan: I came back right after the State Palace era, played the last Freakfest, and fell into the Dragon’s Den family. The mentors I met — Coty D-Lux, Brandi Raves, Rekanize — all helped shape me. New Orleans DJs have always matched headliners in talent and energy. That’s something I carry with me every set.
NOLA EDM:What should people expect from your set this Friday?
Black Swan: Intelligence + aggression. I’m not out to flex tricks; I’m chasing flow — how tracks talk to each other. Expect deep subs, sharp percussion, and a few surprises that nod to where this scene came from.
NOLA EDM: Who’s influencing you lately?
Black Swan: Globally, Commodo, Kahn, Gantz — that holy trinity. I’ve also been loving Glume & Phossa, Hijinx, Soukah, and Canadian grime producers like YYZ. Outside of bass, Björk forever — she’s why I love orchestral and choral textures.
NOLA EDM: Looking ahead — what’s next for you?
Black Swan: A few shows to close out the year, including the Dublink New Year’s Eve show and a guest spot on Earthbound’s Monday Medicine.
Follow Black Swan and Cacth her at Bass Education: Joe Nice — Friday, November 14 at Santos Bar
🌐 Artist Links:
🎧 SoundCloud
🎧 MixCloud
🔗LinkTree
📸 Instagram
📸 Twitch
📘Facebook
About NOLA EDM:
NOLA EDM is a New Orleans-based music and culture platform dedicated to documenting, promoting, and producing events that highlight the Gulf South’s electronic and underground scenes. Through artist interviews, editorial coverage, and festival production, NOLA EDM connects fans, promoters, and creators shaping the city’s next wave of sound. Follow NOLA EDM on Instagram for weekly event updates, giveaways, and exclusive artist features.
Subscribe now to keep reading and get access to the full archive.